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Sagot :
Frankenstein
Mary Shelley
Victor throws himself into his schoolwork, reading all he can about the sciences, particularly chemistry. Gaining a reputation as a scientist and innovator among the professors and fellow students alike. Believing his tenure at Ingolstadt was nearing an end, Victor thinks of returning home to Geneva. However, he launches into a new venue of scientific experimentation — creating life from death and reanimating a dead body.
Visiting morgues and cemeteries for the necessary body parts, Victor fails several times before successfully bringing his creation to life. His work does take its toll on him, affecting his health and powers of judgment. This gruesome work carries on through the spring, summer, and fall of that year.
Victor lives for his work and throws himself into his pursuit so much that he shuts off all contact with the outside world. In the second summer Victor loses touch with his family. Letters from home go unanswered for long periods of time, and he delays sending a message home as to his health or well being.
Analysis
Mary Shelley combines several themes in this one chapter: the Romantic notion of technology as a bad thing, the allusion to Goethe's Faust, and learning and the use of knowledge for good or evil purposes. Her Romantic background draws her to state that technology is evil; it is man who must control the technology, not the technology controlling man. Finally, the creation of the monster is not described at all. Perhaps Shelley had not worked out the details of the creation or the description would have been too much for nineteenth century readers. The mysterious creation is a Gothic element.
Mary Shelley
Victor throws himself into his schoolwork, reading all he can about the sciences, particularly chemistry. Gaining a reputation as a scientist and innovator among the professors and fellow students alike. Believing his tenure at Ingolstadt was nearing an end, Victor thinks of returning home to Geneva. However, he launches into a new venue of scientific experimentation — creating life from death and reanimating a dead body.
Visiting morgues and cemeteries for the necessary body parts, Victor fails several times before successfully bringing his creation to life. His work does take its toll on him, affecting his health and powers of judgment. This gruesome work carries on through the spring, summer, and fall of that year.
Victor lives for his work and throws himself into his pursuit so much that he shuts off all contact with the outside world. In the second summer Victor loses touch with his family. Letters from home go unanswered for long periods of time, and he delays sending a message home as to his health or well being.
Analysis
Mary Shelley combines several themes in this one chapter: the Romantic notion of technology as a bad thing, the allusion to Goethe's Faust, and learning and the use of knowledge for good or evil purposes. Her Romantic background draws her to state that technology is evil; it is man who must control the technology, not the technology controlling man. Finally, the creation of the monster is not described at all. Perhaps Shelley had not worked out the details of the creation or the description would have been too much for nineteenth century readers. The mysterious creation is a Gothic element.
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