Hello. You forgot to present the options and answer. The options are:
A) . . . to discriminate against "business documents and/ school-books"; all these phenomena are important. B) One must/ make a distinction/however: when dragged into prominence by half poets, the/ result is not poetry,/ nor till the poets among us can be/ "literalists of the imagination" —above C) insolence and triviality and can present/ for inspection, D) "imaginary gardens with real toads in them," shall we have/it. In the meantime, if you demand on the one hand,/the raw material of poetry in E) all its rawness and F) that which is on the other hand genuine, you are interested in poetry.
Answer:
D) "imaginary gardens with real toads in them," shall we have/it. In the meantime, if you demand on the one hand,/the raw material of poetry in
E) all its rawness and
F) that which is on the other hand genuine, you are interested in poetry.
Explanation:
Moore shows how poetry should be subjective, transcendental and beautiful. It shows this mainly through the lines presented in options D, E and F, where it presents the idea that poetry takes real elements and transforms them, together with imaginary elements, creating something comfortable and attractive to be read, drawing the attention of the reader by details and beauty in the choice of words, themes and elements.
