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Sagot :
Answer:
I have taken a script from the movie The Conjuring.
Script:
It’s Cindy’s room.
The camera in the closet starts flashing, strobing the room with bursting white light. The girls start to stir.
Intercut:
It’s really difficult for Roger to stay still.
Cindy’s eyes pop open, and she sits up.
Freaks as the intermittent light gives her staccato glances of something staring at her through the window.
- It’s the beast she saw before as a shadow. She SCREAMS!
- Andrea bolts up in fear, and then…
- The LOUD, ECHOING SOUND OF A SIDE-BOLT CLOSING OVER AND OVER, joins the mayhem. It’s coming from the closet.
- Roger can’t stand it—takes off out of the room.
- THE SIDE BOLT NOISE SUDDENLY STOPS, along with the FLASHES, casting the room back into darkness.
The girls dash out of the bedroom door into the hallway just as Roger gets there, both folding into his arms.
Camera Angles
Below given are my ideas:
The girls start to stir—long shot of the girls, then close-up of each of the girls.
It’s really hard for Roger to stay still. Close up of Roger.
Cindy’s eyes pop open, and she sits up. Dutch tilt, extreme close-up.
Freaks as the intermittent light gives her staccato glances of something staring in at her through the window. Extreme close-up of Cindy and a high-angle shot.
It’s the beast she saw before a shadow—zoom in to the beast and zoom out, low angle, then long shot of Cindy.
She screams. Extreme long shot.
Andrea bolts up in fear, then extreme long shot.
The loud, echoing sound of a slide-bolt closing over and over, joins the mayhem. It’s coming from the closet. Dutch tilt on Cindy, close-up on Andrea, and a long shot of the closet, and then a close-up as the scene progresses.
Roger can’t stand it and takes off from the room. Extreme long shot, low-angle shot.
The slide bolt noise suddenly stops, along with the flashes, casting the room back into darkness. Extreme long shot.
The girls dash out the bedroom door into the hallway just as Roger gets there, both folding into his arms. Eye-level shot.
Explanation:
PLATO
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