Which of the following inferences is best supported by the following passage (paragraph 4)?
Each of the surrealists had a distinct style of exploring and expressing the unconscious, but ultimately they fell into two groups. Some, like
Dalí and Magritte, created works that incorporated identifiable objects from the real world but arranged them in strange, often
nightmarish scenes. A classic example is Dall's The Persistence of Memory, which features several clocks that appear to be melting in a
desert setting. Viewers recognize the clocks, but the fact that they are melting and in a desert is irrational and unsettling. Magritte's
paintings are characterized by faceless men and women standing against a blue sky filled with white, fluffy clouds. Their faces are often
obscured by a cloth or replaced by an object, such as an apple. First-time viewers usually experience confusion as they gaze at the
images, and they struggle to make an interpretation. Other surrealists, like Miró and Arp preferred to create surreal art that they
considered "organic" or "absolute." Their works mixed abstract shapes, colorful blobs, and chaotic lines that evoke a strong response in
viewers and can not be easily described or interpreted. Max Ernst's Ubu Imperator reflects these features. Comprised of a red, tower-like
structure with arms that seems to be spinning on a top, this painting defies easy interpretation
D A Surrealists often collaborated on the same piece of art, while utilizing different techniques and tools.
B. Surrealists aimed to create art without straightforward meaning or obvious interpretation
C. Surrealists usually experienced mental health struggles that influenced their dark and unusual art
D. Surrealists were often frustrated that viewers did not understand their art.