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Sagot :
The starting point is always a character. Even if you are telling a real-life story, the character is the person whose story you are telling. In most stories, there’s a good dose of fiction and this can be a fun thing to start with.
Once you know who your character is, then start to think about their movements and how this will impact the dance. For example, if someone is a brash and bold character, then their moves may be somewhat exaggerated. Or someone who is up to something a little sneaky would be slower and more cautious in their movements.
Telling a story is about playing on emotions and evoking them in your audience. That’s where body language and facial expressions come in. These are the easiest way to show an emotion - happiness in a smile, sadness in a frown.
Not only that but by creating these emotions, you will also feel them. This helps to make the dance more realistic for people watching it. If you are running scared in a section, that feeling of fear you have created will help your dance movements seem more fearful. Combining emotions with movements helps to create that story. So if someone is angry, the use of a serious or angry look with sharp and strong dance moves will portray this. Or a happy person who just had great news will have that bounce in their step and smile on their face.
Once you have your characters and understand the emotions involved with the story, it is time to put it together. There should be a beginning, a middle and an end to the dance that people can follow when watching.
Sections of the dance can act like chapters of the story, breaking it down into smaller chunks and highlighting the most important things that are happening. A break-up between a loving couple could be one chapter followed by a lonely walk in the park, heavy with sadness.
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