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Sagot :
The artist's experiences as a woman during the 40 years of Soviet occupation following the Second World War had a significant impact on 80 backs, both conceptually and materially.
What recognition has Magdalena Abakanowicz achieved?
In the 1960s, Magdalena Abakanowicz, a Polish artist, was a pioneer of fiber-based sculpture and installation. When her government was promoting social realism in the 1950s, she started creating abstract fiber pieces. Her early works are the enormous hanging textiles she called "Abakans," which serve as both places and objects.
In the 1970s, she transitioned to creating figurative textile art, well recognized for her headless and disconnected human shapes. She started to receive government commissions, which encouraged her to branch out from textiles and work with things like clay, wood, stone, and bronze. Her experiences in Poland during and after World War II under Nazi and Soviet control influenced Abakanowicz's art.
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