In 1936, German Jewish philosopher and cultural critic Walter Benjamin coined the idea of “aestheticization of politics”. This theory expresses the idea that life and affairs of living are made to be innately artistic and are thus related to politics in the same manner.
Benjamin is perhaps best known for his 1936 essay “The Work of Art in the Age of Mechanical Reproducibility,” which explored, among other ideas, the political uses of mass-produced art.
Walter Benjamin, born in a bourgeois Berlin Jewish family in 1892, was not only a brilliant literary critic and sociologist of culture, but also one of the most creative modem Marxist thinkers.
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