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which composer worked with conventional forms, expanded them with borrowing from gospel, ragtime, and other styles, and expanded those forms into longer works?

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Charles Mingus is the composer who worked with conventional forms, expanded the music with borrowing from gospel, ragtime, and other styles, and expanded those forms into longer music works.

ABOUT CHARLES MINGUS

Charles Mingus, one of the most influential artists in twentieth-century American music, was a brilliant bassist, pianist, bandleader, and composer. Charles Mingus was an American double bassist who was extremely ambitious and groundbreaking in his approach to music, utilizing a technique greatly influenced by gospel, ragtime and blues to produce an original, distinctive sound.

Due to his leadership qualities and ability to organize medium-sized groups, he is frequently described to as Duke Ellington's heir. Mingus's most renowned work was Mingus Ah Um, which Columbia released in 1959. His hand-picked instrumentalists provide distinct parts to the ensemble through their brief, well-considered solos, creating an extraordinarily diversified CD with harmonies reminiscent of blues-influenced modern classical music.

THE MUSIC COMPOSER

Mingus quickly ascended to the top of the avant-garde. His recordings are evidence of the extraordinary creativity that followed. Pithecanthropus Erectus, Tijuana Moods, The Black Saint, The Clown, Mingus Dynasty, Mingus Ah Um, and the Sinner Lady, Cumbia and Jazz Fusion, and Let My Children Hear Music are among them. He has released over 100 albums and composed over 300 compositions.

Although he composed his first concerto, "Half-Mast Inhibition," at the age of seventeen, it was not recorded until twenty years later by a 22-piece orchestra under the direction of Gunther Schuller. The presentation of "Revelations," which merged jazz and classical idioms, at the 1955 Brandeis Festival of the Creative Arts established him as one of the most prominent jazz composers of the time.

Learn more about Charles Mingus here:

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