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Read the passage from "Marriage Is a Private Affair" by
Chinua Achebe. In this excerpt, Nnaemeka is the first to
speak, and Okeke speaks after him.
"I can't-we must-I mean it is impossible for me to
marry Nweke's daughter."
"Impossible? Why?" asked his father.
"I don't love her."
"Nobody said you did. Why should you?" he asked.
"Marriage today is different..."
"Look here, my son," interrupted his father, "nothing is
different. What one looks for in a wife are a good
character and a Christian background."
Nnaemeka saw there was no hope along the present line
of argument.
How could the characters' differing views of arranged
marriage be analyzed from a historical perspective and
from a feminist perspective?
OA historical perspective would focus on arranged
marriage being part of the culture at the time the story
is set. A feminist perspective would focus on how
arranged marriages took choice away from women.
OA feminist perspective would focus on arranged
marriage being part of the culture at the time the
author wrote. A historical perspective would focus on
how arranged marriages took choice away from
women.
OA historical perspective would focus on how the story
would be different if it were written by an author of a
different gender. A feminist perspective would focus
on how the characters interact.
OA feminist perspective would focus on the biography

Sagot :

Final answer:

Arranged marriages in the story depict traditional values against changing views, with historical and feminist perspectives analyzing the characters' differing views.


Explanation:

Arranged marriages have been a common practice historically, often emphasizing economic and social factors over personal choice. In 'Marriage Is a Private Affair,' the characters' views on arranged marriage reflect the clash between traditional values and evolving perspectives. A historical perspective would focus on arranged marriage as culturally ingrained, while a feminist perspective would highlight how such practices could limit women's autonomy and choices.


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