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Read the excerpt from "The Happy Prince and Other Tales" by Oscar Wilde.

"High above the city, on a tall column, stood the statue of the Happy Prince. He was gilded all over with thin leaves of fine gold; for eyes, he had two bright sapphires, and a large red ruby glowed on his sword-hilt. He was very much admired indeed. 'He is as beautiful as a ship's sail,' remarked one of the Town Leaders who wished to gain a reputation for having artistic tastes. 'Only not quite so useful,' he added, fearing people should think him unpractical, which he really was not.

'Why can't you be like the Happy Prince?' asked a sensible mother of her little boy who was crying for the moon. 'The Happy Prince never dreams of crying for anything.'

'I am glad there is someone in the world who is quite happy,' muttered a disappointed man as he gazed at the wonderful statue.

'He looks just like an angel,' said the children as they came out of the cathedral in their bright scarlet cloaks and their clean white shirts.

'How do you know?' said the Mathematical Master. 'You have never seen one.'"

Select the correct answer.
How do the underlined words affect the meaning of this excerpt?

A. They create an eerie atmosphere to indicate the statue is haunted.
B. They suggest that the Happy Prince statue actually is not very happy.
C. They indicate that the Town Leader plans to steal the Happy Prince statue.
D. They show how the statue brings out each townsperson's personality.


Sagot :

Final answer:

The underlined words depict how the statue influences people differently, reflecting their personalities.


Explanation:

The underlined words in the excerpt from The Happy Prince and Other Tales by Oscar Wilde reflect how the statue elicits different reactions and characteristics from each townsperson, revealing their individual personalities. For example, the Town Leader's comment about the beauty of the Happy Prince highlights his desire to appear cultured, while the sensible mother's comparison emphasizes her wish for her child to be content.


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