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Choose one of the following Three quotations and then write an essay of at least five paragraphs using quotations and references from the literature you have read (including “Julius Caesar”.) You must use at least three examples from the texts to support your thesis.

Choice 1: Julius Caesar has been quoted as saying, “What we wish, we readily believe, and what we ourselves think, we imagine others think also.”

Is this belief reflected in the themes of the Shakespearean play “Julius Caesar?”

If so, how? If not, what themes has Shakespeare highlighted and are these reflective of Julius Caesar as a historical person? Be sure to cite at least three sources for your information.



Choice 2: Connie Willis is quoted as saying, "That's what literature is. It’s the people who went before us, tapping out messages from the past, from beyond the grave, trying to tell us about life and death! Listen to them!"

Use this quotation to interpret the themes in the Shakespearean play “Julius Caesar.” What does the quotation mean and how does it apply to the themes and intent of this play and other literature you have read? Be sure to include at least two additional texts and cite your sources.



Choice 3: In “Julius Caesar,” Brutus has the lines:

Between the acting of a dreadful thing

And the first motion, all the interim is

Like a phantasma, or a hideous dream

Do you agree with Brutus? Do other readings agree? Can you find examples in classic literature? Be sure to give quotations and examples from at least three texts and cite your sources.

Sagot :

Answer:

ye it is it is the theme how is rthe themes are on the pauper

Explanation:

Answer:

Julius Caesar raises many questions about the force of fate in life versus the capacity for free will. Cassius refuses to accept Caesar’s rising power and deems a belief in fate to be nothing more than a form of passivity or cowardice.

He says to Brutus: “Men at sometime were masters of their fates. / The fault, dear Brutus, is not in our stars, / But in ourselves, that we are underlings” (I.ii.140–142). Cassius urges a return to a more noble, self-possessed attitude toward life, blaming his and Brutus’s submissive stance not on a predestined plan but on their failure to assert themselves.

Ultimately, the play seems to support a philosophy in which fate and freedom maintain a delicate coexistence. Thus Caesar declares: “It seems to me most strange that men should fear, / Seeing that death, a necessary end, / Will come when it will come” (II.ii.35–37). In other words, Caesar recognizes that certain events lie beyond human control; to crouch in fear of them is to enter a paralysis equal to, if not worse than, death. It is to surrender any capacity for freedom and agency that one might actually possess. Indeed, perhaps to face death head-on, to die bravely and honorably, is Caesar’s best course: in the end, Brutus interprets his and Cassius’s defeat as the work of Caesar’s ghost—not just his apparition, but also the force of the people’s devotion to him, the strong legacy of a man who refused any fear of fate and, in his disregard of fate, seems to have transcended it.